memory



i used to make these when i was younger.
i read a book and the girl made them and on her memorial people left them for her.
i made hundreds it seemed and saved them in a cardboard box under my bed to send to her memorial in japan.

i can't remember if i sent them.

head doesn't stop




constant inspiration

paper


i could look for days



Full Fathom Five, 1947

i've got dreams





Aranda is also on view at the New Museum now, I can't wait.

concepts







Neuenschwander merges painting, photography, film, sculpture, immersive installations, and participatory actions. Her authorship is primary, but she also functions as an editor, collaborator, social organizer, and commissioning agent. Motifs that repeat with regularity include mapping, measuring, colonization, and categorization.

Go to the New Museum and see for yourself.

dedicated: congrats





this post is for cristina gonzalez. she is a genius and my best friend.
she has studying graphic design, wood works, ceramics and sculpture at SAIC (School of the Art Institute of Chicago) and just graduated.
congrats.
her work is gorgeous, look out for her.

GOGOGOGOGO. thanks.

Parsons School of Design BFA Photography Senior Thesis Exhibition 2010

May 11th - May 21st 2010
Opening Reception Tuesday, May 11th 6 - 8:30 pm

Calumet Gallery - 22 West 22nd Street
New York, NY 10001

i can't stop listening

Twenty Five



Luhring Augustine
531 West 24th Street
New York, NY 10011
Tel: 1-212-206-9100
Fax: 1-212-206-9055
info@luhringaugustine.com
www.luhringaugustine.com
Gallery Hours
Tuesday - Saturday, 10am - 6pm
July/August summer hours:
Monday - Friday, 10am - 5:30pm


TWENTY FIVE
May 8 – June 19, 2010

Opening reception: Saturday, May 8, 2010, 6-8 pm


Luhring Augustine is pleased to announce TWENTY FIVE, a group exhibition commemorating the gallery's history on the occasion of its 25th anniversary. The exhibition will include works by: Janine Antoni, Nobuyoshi Araki, Janet Cardiff and George Bures Miller, Larry Clark, George Condo, Gregory Crewdson, William Daniels, Günther Förg, Zarina Hashmi, Johannes Kahrs, Jon Kessler, Martin Kippenberger, Ragnar Kjartansson, Luisa Lambri, Glenn Ligon, Paul McCarthy, Yasumasa Morimura, Daido Moriyama, Reinhard Mucha, David Musgrave, Cady Noland, Albert Oehlen, Ed Paschke, Jack Pierson, Michelangelo Pistoletto, Stephen Prina, Pipilotti Rist, Josh Smith, Joel Sternfeld, Tunga, Guido van der Werve, Rachel Whiteread, Christopher Williams, Steve Wolfe, and Christopher Wool. TWENTY FIVE is a look into Luhring Augustine's past and present, with important works from significant exhibitions at the gallery as well as new ones.

Founded in 1985 by Lawrence Luhring and Roland Augustine, the gallery's history has been characterized by its commitment to a singular roster of international artists and a rigorous contemporary program punctuated by the inclusion of historical exhibitions. From its inception in midtown Manhattan through its ten years in Soho to its current incarnation on 24th Street in Chelsea, as well as other project spaces in New York and Los Angeles, Luhring Augustine has a history resonant with many "firsts"; notably, the debuts of important works of art by Larry Clark, Pipilotti Rist, and Christopher Wool, as well as the first U.S. solo exhibitions of Janet Cardiff and George Bures Miller, Günther Förg, Johannes Kahrs, Albert Oehlen, Yasumasa Morimura, Reinhard Mucha, and Rachel Whiteread. Other significant exhibitions with artists outside the gallery's representation include Remembering Marcel in 1987; Gerhard Richter in 1995; Donald Judd, Stacks in 2000; Red Sky: Arte Povera in 2008 with works by Alighiero e Boetti, Luciano Fabro, Jannis Kounellis, Giulio Paolini, and Michelangelo Pistoletto among others; and The Irreverent Object in 2009 which included Joseph Beuys, Louise Bourgeois, Marcel Broodthaers, Lucio Fontana, Piero Manzoni, Reinhard Mucha, and Franz West.

Among the works included in TWENTY FIVE are Janine Antoni's Lick and Lather, 1993, a series of two self-portrait busts made of chocolate and soap; Joel Sternfeld's iconic McLean, Virginia, December, 1978, from his American Prospects series; Rachel Whiteread's Untitled (Black Bed), 1991; Cady Noland's Crate of Beer, 1989; Christopher Wool's Minor Mishap II, 2001; and the cover of Larry Clark's 1983 book Teenage Lust. Many of the works in the exhibition are emblematic of milestones in the artists' careers. For example, a meticulously-staged large-scale photograph by Gregory Crewdson referencing the Shakespearean character Ophelia, which later became the cover of his book Twilight in 2003; Yasumasa Morimura's Angels Descending a Staircase, 1991, which illustrates the artist's pioneering use of photographic manipulation; and a 1992 self-portrait by Martin Kippenberger, with whom the gallery maintained a long relationship and who was featured in solo shows at Luhring Augustine in New York and Los Angeles.

Throughout the course of its history, Luhring Augustine has published numerous catalogues to accompany its exhibitions and serve as historic documentation. In conjunction with TWENTY FIVE, the artist Josh Smith has created an artist book comprised of images of each of the gallery's exhibition announcement cards since 1985, installation photographs, and archival documents. A history of the gallery written by art critic and curator Allan Schwartzman will preface the book.

welcome back to my life

check it

my homie izzy

today




7Eleven Gallery invites you to
Make Yourself At Home
Curated by Sabrina Blaichman, Caroline Copley and Genevieve Hudson-Price

May 6 – June 6, 2010
Opening reception: Thursday, May 6, 6 – 9 pm
169 10 Avenue NY, NY 10011

“Make Yourself At Home” draws its inspiration from the idea of transforming the gallery into a multi room house dressed for a typical days living. Rarely do we ponder the aesthetics of the mundane objects that comprise our domestic reality. Whether their function is decorative, utilitarian, a source of sensuality, comfort, entertainment or convenience, the objects that surround us impact our daily lives in both immense and miniscule ways.

In recreating and detailing this private living space in our public gallery, the exhibit seeks to create a more immediate and intimate relationship between the viewer and the featured artworks, to enhance the contemplation of the everyday unseen. We hope to project the viewer into a more personal space where they are able to sit at the kitchen table, watch TV from the couch, stretch out on the bed – in short – where they can literally, make themselves at home.

Many of the artists in “Make Yourself At Home” worked within traditional forms, while others re-invented both the function and form of archetypal models.

Hernan Bas - Tom Beale - Chris Beeston - Jordan Betton - Sebastian Black - Meghan Boody - Scott Burton - Scott Campbell - Rama Chorpash - Ricky Clifton - Jacob L. Cohen - Nick Cohen - Billy Copley - David Deutsch - Carlton DeWoody - India Donaldson - Nick Doyle - Sebastian Errazuriz - R.M. Fischer - Griffon Fraizon - Joe Gaffney GAINES - Francesco Galetto - Elissa Goldstone - Simon Hasan - Scott Healy - Joseph Heidecker - Mary Heilmann Steven Holl - Judith Hudson - Bryan Hunt - Steven Keister - Max Lamb - Johanna Landscheidt - Kwangho Lee Marilyn Lerner - Zilla Leutenegger - Jill Levine - Peter Marigold - Alexander Massouras - Thomas McDonell - Adam McEwen - Jacob Melinger - Sean Mellyn - Howard Michels - James Nares - Casey Neistat - Bob Neuwirth - John Newman - Alan Paukman - Janis Provisor - Rob Pruitt - Lesley Raeside - Jason Reppert - Alex Rickard - Tom Sachs Francesco Simeti - Laurie Simmons - Michael Smith - Max Snow - Keith Sonnier - Stephen Spretnjak - Michael St. John - Gordon Stevenson - Wiliam Stone - Ionel Talpazan - Al Taylor - John Torreano - Richard Tuttle - Leo Villareal - Kevin Walz - Lynton Wells - Rob Wynne - Dustin Yellin - Aaron Young
Like the one who writes
love letters from an immigration ditch
and entrusts them to a cloud-carrier-
the sun darkens when his lover
tells him she has never received
any of his letters
doubt comes between the two
widens like a gash in the wall
and in the month of the monsoon
together they kill each other.

Vikram Babu asks:
is that love?